Nadine Ellinger M.A.

Project Overview - Be(com)ing Mothers: Complicating Motherly Figures in African(a) Fiction

The figure of the (African) mother can be found in numerous literary productions both by African post-independence as well as African diasporic writers. In such contexts, motherly figures serve a plethora of functions. The mother can act as a national allegory (Elleke Boehmer 2005), as a supreme symbol of motherly love, affection and care (Marie Umeh 1982), or as a point of opposition in the emancipatory processes of identify formation of their daughter(s) (Marianne Hirsch 1989), as numerous studies have explored to date. Such representations, despite their diversity in both form and function, have one thing in common: they render the woman as mother silent. In such literary productions, motherly figures are written through the eyes and voices of others and thus often reduced to precisely their role and function as mother. This PhD project explores how recent works of fiction complicate such reductive, monolithic and often stereotypical representations of motherly figures by foregrounding the voices as well as (strategic) silences of African(a) mothers, including those on the verge of becoming, struggling or refusing to be(come) mothers, who are often excluded or marginalized in discourses on motherhood. In doing so, it aims to bring to the fore the ambivalences and contradictions inherent in the motherly experience.

 

 

Research interests and Scholarships

Research Interests
 
  • (West and Southern) African Anglophone literature
  • (African) diaspora
  • Migration & transnationalism
  • African American literature and culture
  • Popular culture and media
  • Gender & motherhood studies
  • Postcolonial studies

 

Research Stays

 

University of Johannesburg, South Africa (funded by the Bavarian Research Alliance/BayFOR (WKS Bavaria – Africa), 09 10/2024

 

 

Scholarships

 

  • Oskar-Karl-Forster Scholarship 03/2020
  • Fulbright Scholarship (Studienstipendium) 08/2018 – 12/2018
  • Deutschlandstipendium 04/2016 – 03/2017

 

 

Teaching

  • WiSe 2022/23: Narrative Analysis: Postmodern and Postcolonial Short Fiction (Übung)
  • SoSe 2023: African Diasporic Fiction (Proseminar)
  • SoSe 2023: Narrative Analysis: Short Fiction of the African Diaspora (Übung)
  • WiSe 2023/24: Enslavement in African American Literature (Proseminar)
  • SoSe 2024: Cultural Analysis: Intersectional Approaches to TV Analysis (Übung)
  • WiSe 2024/25: Haunted Houses, Ghosts of the Past: Postcolonial Hauntings in Anglophone Fiction and Film (Proseminar)
  • WiSe 2024/25: Narrative Analysis: Hauntings in Anglophone Short Fiction (Übung)
 
 

PUBLICATIONS AND PRESENTATIONS

Publications

 

“The God Within: Interrogating Queer Practices of Faith in Francesca Ekwuyasi’s Butter Honey Pig Bread and Akwaeke Emezi’s ‘Who Is Like God’.” Gender Forum. (forthcoming)
 
“Challenging Narratives of Confinement: Diasporic (Im)Mobilities in Lọlá Ákínmádé Åkerström’s In Every Mirror She’s Black (2021).” European Journal of English Studies, Special issue on “The Poetics and Politics of Gender, Mobility and Migration in the New Anglophone Literatures.” (forthcoming)

 

Presentations

 
With Corvin Bittner and Danica Stojanovic: Conference co-organizer for the Postgraduate Forum Postcolonial Narrations under the title “The Ruins of Empire: Postcolonial Hauntings,” University of Augsburg, with support from GAPS (Association for Anglophone Postcolonial Studies) and the Graduate School for Humanities and Social Sciences (GGS) of the University of Augsburg, 09/2024.
 
“Speaking (through) Silence: Ambivalent Motherhood in Ayọ̀bámi Adébáyọ̀’s Stay With Me and Yewande Omotoso’s An Unusual Grief.” From Stabat Mater to Mater Movens: Analysing Discourses on Motherhood, International Conference organized by the London Centre for Interdisciplinary Research, Birkbeck, University of London/online, UK, 06/2024.
 
“Tracing the Trope of the ‘African Mother’ in 21st Century African (Diasporic) Fiction.” IAMAS + Boston University Conference 2024: Mothering and Motherhood – Past, Present, Future, Boston University, Massachusetts, USA, 06/2024.
 
“Retrieving the Voice of the (M)other: Maternal Absence in Charmaine Wilkerson’s Black Cake and Francesca Ekwuyasi’s Honey Butter Pig Bread.” Research Day of the Professorship for New English Literatures and Cultural Studies, University of Augsburg, 01/2024.
 
“The God Within: Interrogating Queer Practices of Faith in Francesca Ekwuyasi’s Butter Honey Pig Bread and Akwaeke Emezi’s ‘Who Is Like God’.” Postcolonial Narrations Forum 2023: Queering Postcolonial Worlds, University of Bremen, Germany, 10/2023.
 
“Speaking the Unspeakable: The Maternal Voice in Ayọ̀bámi Adébáyọ̀’s Stay With Me (2017).” Poster Presentation, Postcolonial Infrastructures: Annual Conference of the Association for Anglophone Postcolonial Studies (GAPS), University of Konstanz, Germany, 05/2023.
 
“‘A Mother Must Be Vigilant’: A Matrifocal Reading of Ayọ̀bámi Adébáyọ̀’s Stay with Me.” Research Day of the Professorship for New English Literatures and Cultural Studies, University of Augsburg, 02/2023.
 
“Be(com)ing Mothers: Complicating Motherly Figures in Africana Fiction and Film.” Project Presentation, Postcolonial Faultlines: Branching into the Unknown, University of Glasgow (online), 10/2022.

 

 

 
 

Contact Nadine Ellinger M.A.

E-Mail: nadine.ellinger@philhist.uni-augsburg.de

Room No. D-4502

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